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THE BIENNIAL

McCAMMON

VOICE COMPETITION
 

Opera’s Star-Making Moment

Sunday, February 28, 2027

 

Kimbell Art Museum,

Renzo Piano Pavilion

ABOUT THE COMPETITION

A Career-Defining Showcase

The 20th Biennial Marguerite McCammon Voice Competition returns to the stage of the Kimbell Art Museum’s Renzo Piano Pavilion, placing one of the opera world’s most prestigious and closely followed vocal competitions in one of Fort Worth’s most iconic cultural settings. Since its founding in 1985, the McCammon has earned an international reputation as the “American Idol” of opera—a thrilling, career-defining showcase where extraordinary emerging singers compete before leading industry professionals in an unforgettable afternoon of artistry, ambition, and discovery.

 

A Legacy of Excellence

Held every two years by Fort Worth Opera, the McCammon Voice Competition reflects the company’s long-standing commitment to identifying, nurturing, and championing emerging artists. For many participants, the competition marks a pivotal early milestone—offering big visibility, momentum, and validation at a crucial moment in their professional journey.

 

Launching Tomorrow’s Opera Stars

The McCammon’s legacy is reflected in the extraordinary careers of its alumni, many of whom have gone on to major national and international success. Past winners include 2025 First Prize winner mezzo-soprano Winona Martin, along with notable winners and finalists Angela Meade, Joyce DiDonato, Marjorie Owens, Vivica Genaux, Vanessa Becerra, Abi Levis, Christopher Magiera, Siphokazi Molteno, and Richard Paul Fink—artists whose careers began to take flight on the McCammon stage.

 

Celebrating the Future of Opera

More than a competition, the McCammon is a celebration of vocal excellence at a defining moment in an artist’s ascent. As Fort Worth Opera marks the 20th edition of this landmark event, the Marguerite McCammon Voice Competition stands as a cornerstone of the company’s mission—advancing artistic excellence, elevating new voices, and securing a vibrant future for opera in America.

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